is a quote by Mark Brearley, former head of Design for London, in a lecture he gave at UEL last year, on how to get your ideas across and get ahead. Drawings and visual images are how architects communicate, here are some examples for built projects and more conceptual visions.
PROJECTS
views, model and elevation of Windermere Steamboat Museum by Carmody Groarke


photo and exploded isometric of structural/construction elements -
Primary School, Gando, Burkina Faso by Diébédo Francis Kéré




site, entry level and lower ground floor plans, interior perspective -
Two Houses for Harvest Hill Farm by 5th Studio



axonometric, detailed section and perspective of Abney Park Cemetery project by Emily Greeves

photo and exploded isometric of structural/construction elements -
Primary School, Gando, Burkina Faso by Diébédo Francis Kéré
site, entry level and lower ground floor plans, interior perspective -
Two Houses for Harvest Hill Farm by 5th Studio



axonometric, detailed section and perspective of Abney Park Cemetery project by Emily Greeves
MODELS
process models for Trinity Guest House by Studio Mumbai


new masonry structure and timber secondary elements inserted into existing stone -
Astley Castle by Witherford Watson Mann

new masonry structure and timber secondary elements inserted into existing stone -
Astley Castle by Witherford Watson Mann
PLANS



ground, first floor and site plans of
the Durham Oriental Studies Museum Extension by Peter Salter
Ailsa Street development framework plan by Witherford Watson Mann
also see the plan of Brockholes Visitor Centre by Adam Khan in previous post.
SECTIONS

Wolff House by John Lautner

Pompidou Centre by Renzo Piano & Richard Rogers

sketch of roofspace designed to rehouse an existing colony of long-eared bats -
the Bat House by Charles Barclay Architects
working section of Memory Box - Red Location Museum of Struggle by Noero Wolff Architects
also see the sections of Studio Mumbai's Tara House, Snell Associates' Water Activity Centre, and the Royal Festival Hall in previous post.
VIEWS
day and night views of Great Fen Pier by 5th Studio
Graduate Hostel by 5th Studio
East London Green Enterprise District by East
interior of Amnesty International UK by Witherford Watson Mann
Stonebridge Park by Witherford Watson Mann
OTHER

Axonometrics (roof/massing in topography, enclosure/envelope and structural)
of Mauer House by John Lautner
Exploded isometric of East India Dock Basin Visitor Centre + Cafe by 5th Studio:
"Building elements are classified as essential, permanent components and looser-fitting, adaptable linings that can accommodate a range of uses."
Exploded axonometric showing external skin around inhabited spaces enclosing solid concrete archive core - Hull History Centre + Archive by 5th Studio
Places of Exchange, Flat Iron Square and image of viaducts - Bankside Urban Forest framework by Witherford Watson Mann

Occupied section - Brent Civic Centre by Witherford Watson Mann

working sketch for model - Bremen European Harbour Park by Vogt (further model studies)

catalogue of 21 gardens - Vacant Lot by What If?

Recycling diagram for the Cardboard Classroom by Cottrell & Vermeulen
Transformation of Tour Bois-le-Prêtre by Lacaton and Vassal

Table Manners by Sarah Wigglesworth Architects (not of a building, but a good plan over time)

combined section, detailed section and elevation of Land of Scattered Seeds by John Puttick
Fast Twitch, Elevation Study 1.a - drawings by Perry Kupler, more information.

Wet Lands plan by Smout Allen is on the cover of this month's Architectural Review (May) on Architecture and Representation - well worth a look, it is in the library journals section.
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